Renee Cox
amerikansk fotograf
Renee Cox (fødd 16. oktober 1960)[1] er ein jamaicansk-amerikansk kunstnar, fotograf, førelesar, kurator og politisk aktivist. Verket hennar blir rekna som del den feministiske kunstrørsla i USA. Nokre av dei best kjende og kontroversielle verka hennar er Queen Nanny of the Maroons, Raje og Yo Mama's Last Supper, som også er døme på black feminism-perspektivet hennar.[2]
| Renee Cox | |
 | |
| Pseudonym | Cox, Renee |
| Statsborgarskap | USA, Jamaica |
| Fødd | 16. oktober 1960 (63 år) Jamaica |
| Yrke | fotograf, ny-mediekunstner |
| Renee Cox på Commons | |
Bakgrunn endre
Cox vart fødd i Colgate på Jamaica. Familien hennar høyrde til den øvre middelklassen. Dei flytta seinare til Scarsdale i New York.[1]
Cox studerte film ved Syracuse University. Ho tok mastergrad ved School of Visual Arts i New York, og studerte deretter i eit år på Whitney Museum of American Art sitt Independent Study-program.[3]
Etter studia konsentrerte ho seg om fotografi. Ho verka som assisterande moteredaktør ved Glamour Magazine og var deretter tre år i Paris der ho verka som motefotograf for blad som Votre Beaute og Vogue Homme og for designerar som Issey Miyake og Claude Montana.[4]
Utstillingar endre
- 2016
-
- Black Pulp!, Yale School of Art, New Haven
- Remix, Themes and Variations in African American Art, Columbia Museum of Art, South Carolina
- 2015
-
- Family Affair, University of South Florida Contemporary Art Museum,
- Solo:
- Tropiques-Atrium, Fort-de-France, Martinique, (Dominique Brebion, Curator)
- 2014
-
- Paula Modersohn-Becker Museum, Bremen, Germany, Me.Myself.Naked
- Perez Art Museum, Miami, Caribbean: Crossroads of the World
- Virginia Museum of Fine Arts, Posing Beauty in African American Culture
- The Power Plant Contemporary Art Gallery, Toronto, Canada, Pictures from Paradise: A Survey of Contemporary Caribbean Photography
- 2013
-
- El Museo del Barrio, Queens Museum of Art and The Studio Museum in Harlem, Caribbean: Crossroads of the World
- 2012
-
- Kade / Kunsthal in Amersfoort, Holland. Who's More Sci-Fi Than Us, contemporary art from the Caribbean.
- 2011
-
- Museo Thyssen-Bornemisza, Madrid, Spain, Heroines
- 2010
-
- Tate Liverpool, Afro Modern, Journeys through the Black Atlantic
2009
- Hood Museum of Art, Dartmouth College, New Hampshire, Black Womanhood: Images, Icons, and Ideologies of the African Body
- Grande Halle de la Villette, Paris, Kréyol Factory
- Spelman College Museum of Fine Art, Georgia, Undercover: Performing and Transforming Black Female Identities
- 2008
-
- Arlington Arts Center, Virginia, She's So Articulate, (Jeffry Cudlin & Henry L. Thaggert Co-Curators)
- Mabel Smith Douglass Library Gallery, Rutgers University, New Jersey, Never Has She Ever...
- Solo:
- Discreet Charm of the Bougie, Gallery Nodine Zidoun, Paris, Frankrike
- 2007
-
- Jamaican Biennial, The National Gallery of Jamaica, Kingston, Jamaica
- New York Historical Society, Legacies: Contemporary Artists Reflect on Slavery, New York
- Rhodes College, Tennessee, Taking Aim, Selections from the Elliot L. Perry Collection
- Yale Center for British Art, Art & Emancipation Worlds
- 2006-2008
-
- Wadsworth Atheneum Museum of Art, Hartford, CT, Soul Food!
- 2006
-
- Gigantic ArtSpace, New York, Artificial Afrika
- 2005
-
- The Studio Museum of Harlem, New York, African Queen
- Nasher Museum of Art at Duke University, Durham, North Carolina, The Forest: Politics, poetics, and Practice
- Solo:
- Robert Miller Gallery, New York, Renee Cox: Queen Nanny of the Maroons
- 2004
-
- Busan Biennale 2004, Busan, South Korea
- 2003-2004
-
- Contemporary Arts Museum, Houston, Splat Boom Pow! The influence of Comics in Contemporary Art
- 2003
-
- Henry Radford Hope School of fine Arts, Indiana University, Bloomington, Feminine Persuasion
- 2002
-
- Robert Miller Gallery, New York, Art & Outrage (exhibition presented by the Trio Network, Inc, and USA Cable)
- 2001
-
- Brooklyn Museum, Brooklyn, Committed to the Image (Barbara Millstein, Curator)
- Solo:
- Robert Miller Gallery, New York, Renee Cox: American Family
- 2000
-
- Smithsonian Anacostia Museum and Center for African American History and Culture, Washington, DC, Reflections in Black: A History of Black Photography (Deborah Willis, Curator)
- Solo:
- Ambrosino Gallery, Coral Gables, FL, Peoples Project 2000
- 1999
-
- Fin de Siecle, Nantes, Frankrike, New York a Nantes (Patricia Solini, Curator)
- The New Museum of Contemporary Art, New York, Picturing of the Modern Amazon (Laurie Fierstein, Curator)
- 1998
-
- Looking Forward Looking Back, Elaine L. Jacob Gallery, Wayne State University, Detroit
- Venice Biennale, Oratorio di S. Ludivico/New School, Venice (Kathy Goncharov, Curator)
- 1997
-
- Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, Gendered Visions (Prof. Salah Hassan and Dorothy Desir-Davis, Curators)
- 1996
-
- Aldrich Museum, Ridgefield, CT, No Doubt (Renee Cox, Curator)
- Solo:
- Cristinerose Gallery, New York, Raje: A Superhero: The Beginning of a Bold New Era
- 1995
-
- Pace/McGill Gallery, New York, Large Bodies (Peter McGill Curator)
- The Institute of Contemporary Art (ICA), Boston, Sites of Being (Milena Kalinovska and Lia Gangitano, Curator)
- 1993
-
- Whitney Museum of American Art, New York, Black Male: Representations of Masculinity in Contemporary Art (Thelma Golden, Curator)
- Museum of Contemporary Art, New York, Bad Girls (Marcia Tucker, Curator)
Kjelder endre
- Denne artikkelen bygger på «Renee Cox» frå Wikipedia på engelsk, den 15. oktober 2018.
- Fotnotar
- ↑ 1,0 1,1 «Renee Cox Biography». Renee Cox. Henta 27. juli 2017.
- ↑ Liss, Andrea (2009). Feminist art and the maternal. Minneapolis, Minnesota: University of Minnesota Press. s. 96–107. ISBN 978-0-8166-4622-7.
- ↑ «Renee Cox». Brooklyn Museum. Henta 20. oktober 2018.
- ↑ «Renée Cox's CV». Renee Cox. Henta 24. juni 2016.
Bakgrunnsstoff endre
- Offisiell nettstad
- Renée Cox: A Taste of Power. Intervju i Aperture.
- Renee Cox. Presentasjon ved Brooklyn Museum.
